Tung-Sol 6V6 Reissue - PAIR

DOUBLE ANODE RECTIFYING TUBE
GZ34S is 5AR4 octal base rectifier diode. It provides strong current output. Suitable for all Hi-Fi and Guitar amplifiers.

Files:

• Datasheet

Sweet and warm sounding preamp tube with high gain. We recommend this tube for guitar/bass amps.

Files:

• Datasheet

TT Selection: V1 - Low Noise
This tube is selected for sensitive input stages (V1)

The Ultimate 12AX7. Big, warm, and musical. High Gain, ultra-low microphonics, and superb linearity with a dynamic 3-D sound.

Single tube, not matched

Totally Tweed! The preferred OEM tube of ’50s-era Fender Tweed Champ and Deluxe amplifiers The Tungsol 6V6 has a geometry designed to safely handle the higher voltages used in guitar amps – plus heavier plate and grid materials. The result.. better mids and bottom while keeping the smooth top of the classic 6V6’s. The Tungsol 6V6 breaks up evenly from low E to high up the neck. Blues players will LOVE these tubes for the way they sing!

Files:

• Datasheet

Superior large plate format Twin Triode, ideal for use in driver and reverb circuits. Offers superior dissipation compared to NOS versions of this tube.
Excellent 12AT7 choice choice for HiFi and guitar amp circuits.
Electro-Harmonix tubes are all new designs and are of excellent quality. Many OEMs use relabeled Electro-Harmonix vacuum tubes in their amplifiers. If you want great sounding tubes at a very reasonable price, then Electro-Harmonix tubes should be on your list.

Files:

• Datasheet

TT Selection: Balanced
Both systems with balanced gain

Large Plate 12AT7 / ECC81

Files:

• Datasheet

TT Selection: Balanced
Both systems with balanced gain

Electro-Harmonix has released a low noise, low microphonic version of the 12AX7 that meets all specifications required for the tube to be designated 7025. The original 7025 tube was a 12AX7 that was tested and selected for the lowest noise and microphonics for use in the critical first preamp stages of amplifiers where noise and microphonics could be an issue. In order to ensure that the 7025 specification is consistently met, Electro-Harmonix has redesigned the structure of the 12AX7 and has implemented construction techniques to ensure the absolute lowest noise and microphonics possible. In all samples tested, noise and microphonics could not be detected.

The Electro-Harmonix 7025EH has a mid-range that gives clarity and definition to the sound and a smooth top end for warmth and balance. With these characteristics, along with the exceptionally low noise and low microphonics, the Electro-Harmonix 7025EH will work equally well in vintage and modern high-gain guitar amplifiers, as well as sensitive phono preamps.

TT Selection: V1 - Low Noise
This tube is selected for sensitive input stages (V1)

Electro-Harmonix has released a low noise, low microphonic version of the 12AX7 that meets all specifications required for the tube to be designated 7025. The original 7025 tube was a 12AX7 that was tested and selected for the lowest noise and microphonics for use in the critical first preamp stages of amplifiers where noise and microphonics could be an issue. In order to ensure that the 7025 specification is consistently met, Electro-Harmonix has redesigned the structure of the 12AX7 and has implemented construction techniques to ensure the absolute lowest noise and microphonics possible. In all samples tested, noise and microphonics could not be detected.

The Electro-Harmonix 7025EH has a mid-range that gives clarity and definition to the sound and a smooth top end for warmth and balance. With these characteristics, along with the exceptionally low noise and low microphonics, the Electro-Harmonix 7025EH will work equally well in vintage and modern high-gain guitar amplifiers, as well as sensitive phono preamps.